At the heart of my artwork is a love of materiality and fascination with transformation. I am absorbed in a labor-intensive process. Each part is unique, serving as an architectural component, combined in various ways to discover their visual behavior. I aim to transcend initial forms and create unforeseen surfaces, drawing connections between observation and memory.

Clay is my chosen material for its tactile beauty, malleability, and technical challenges. My intention is to make works that do not immediately appear to be ceramic, often seeming soft or fabric-like instead and eliciting a desire to touch.

Inspired by the avian world, my current work explores repetition of form and material transformation, creating layered, tactile works referencing bird wing structures (remiges and retrices).